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The Last Mail Leaving Newcastle, July 5, 1847
Painting ID:: 19909
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Pollard, James
The Last Mail Leaving Newcastle, July 5, 1847
Oil on panel.
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Hatchetts- The White Horse Cellar, Piccadilly
Painting ID:: 19910
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Pollard, James
Hatchetts- The White Horse Cellar, Piccadilly
Oil on canvas.
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Springing Them up to meet the Train and Just in time for the Coach to Hull
Painting ID:: 27315
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Pollard, James
Springing Them up to meet the Train and Just in time for the Coach to Hull
both signed one dated 1843-oil on panel 6 1/2 x 9 1/4 in (16.5 x 23.5 cm) (mk59)
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A Meet Outside The Swan inn
Painting ID:: 27435
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Pollard, James
A Meet Outside The Swan inn
signed oil on board 8 by 12 in .20.3 by 30.5 cm (mk59)
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The Royal Mail Coaches for the North Ieaving the Angel Islington
Painting ID:: 28010
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Pollard, James
The Royal Mail Coaches for the North Ieaving the Angel Islington
1827
Oil on canvas 103.2 x 146.4cm (40 3/4 x 57 3/4 in) Tate Gallery London (mk63)
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Pollard, James
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English, 1792-1867
Painter and etcher, son of Robert Pollard. His early career was spent in the shadow of his father, for whom he worked as an etcher of miscellaneous sporting subjects before establishing himself c. 1820 as a sporting painter in his own right. A typical example is Doncaster Races: Horses Starting for the St Leger (1831; Paul Mellon priv. col.). Following a commission from the King's Printseller, Edward Orme, for an inn signboard showing a coach and horses, Pollard began to specialize in coaching scenes. |
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Related Artists::.
| Phillips, Ammi | Parentino, Bernardo | Jan van Bijlert | |
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